The Ood Cast: Episood Six – The End of Time (Part 2)
Feb 22nd
“Perhaps it’s time. This is only the furthest edge of the Time War. But at its heart, millions die every second. Lost in bloodlust and insanity. With Time itself then resurrecting them, to find new ways of dying, over and over again. We have become a travesty of life. Isn’t it better to end it? At last?”
The end of an era, the passing of a baton. Another man saunters off.
This week, the intrepid crew of the Ood Cast tackle the final episode of the Tenth Doctor’s reign.
We took advice from Tom Baker’s final words as the Doctor (“It is the end. But the moment has been prepared for”) and made sure we all had drinks and snacks to take our minds off the upsetting events that unfolded on the screen.
It was the end. And we had certainly prepared for it. So well, in fact, that we were able to record a podcast afterwards.
So, listen in to see which of us was teary-eyed, which was just a bit ticked off that he took so long to actually shuffle off his tenth mortal coil, and just how much of that last sentence I invented…
Podcast: Play in new window | Download (Duration: 30:46 — 28.2MB)
The Ood Cast: Episood Five – The End of Time (Part 1)
Feb 15th
It is said that in the final days of Planet Earth, everyone had bad dreams…
To the west of the north of that world, the human race did gather in celebration of a pagan rite. To banish the cold and the dark.
Each and every one of those people had dreamt of the terrible things to come. But they forgot, because they must. They forgot their nightmares, of fire, and war, and insanity.
They forgot. Except for four…
Legends tell that these four intrepid humans used their rememberances only for good. To guard against evil, protect against invasion.
But the legends are wrong.
They used it to record a podcast.
And this week, in Episood 5, we look at the End of Time (Part 1).
Podcast: Play in new window | Download (Duration: 32:28 — 29.8MB)
The Robin Hood Tax
Feb 10th
I don’t let my day job entrude on the pages of this blog very often but this is such a well put together film, the performance is brilliant and the impact it could have on the lives of the world’s poorest people so immense, I couldn’t resist it.
Please take the time to watch it, it’s more than entertaining enough to fill three minutes of your life and it offers a concrete and very real way you can take a small action that could change the world.
The Ood Cast: Episood Four – The Waters of Mars
Feb 8th
Tap tap tap tap.
Do you remember the old days of “Classic Who”? You know, the days when budgets were the size of your mum’s weekly housekeeping allowance which meant that stories were claustrophobic and terrifying, even when the monsters occasionally seemed to be constructed from items you saw her making a cake with the week before?
No? Well, it doesn’t matter… Not all of us do either. But we’ve seen a lot of it on VHS…
But Who and isolated bases on the surface of a foreign planet is a marriage made in heaven, right?
Download the newest episood to find out what happened after we watched The Waters of Mars in a darkened room, complete with a few glasses of liquid handy, which members of our happy band then refused to touch a drink for considerable time afterwards.
Oh, and to find out what exactly caused an argument that might yet cause the premature end of the podcast …
Save your tissues though, because we’ve almost got to the final of the 5 death rattles Mssrs Tennant and Davies served up for our viewing pleasure. And those were where the real tear-jerking moments were… (well, that’s what it said in the Radio Times…)
Podcast: Play in new window | Download (Duration: 36:57 — 33.9MB)
Film Club: Film Noir pictures
Feb 7th
A baleful sun rose over the grey streets of New Malden as I hauled my tenderised carcass up from beneath the sheets. It seemed like a low life bar and a bottle of gin were a match made in hell and my throbbing head and half-closed right eye testified to this fact as my teeth rattled in my head and my jaw squeaked like a rusty gate.
Film club.
I poured myself a hair of the dog what gnawed my head off as my gut lurched unpleasantly beneath the starched cotton of my second best shirt. I wasn’t sure I was going to be able to take this but the time was bearing down on me like a runaway engine that had jumped the tracks at Clapham Junction and was barrelling down on me spitting sparks and tearing metal with all the demons in hell tumbling after. And stuck in the back of my head was a thought, the ultimate itch I couldn’t hope to scratch – I had arranged this, I had brought this event down upon myself as surely as if I had put my .45 in my mouth, hooked the trigger and made a fist.
And so they came. The dregs of society, the poor and the hopeless, the chancers, the misfits, the bums. The drunks and the floozies, the dirty cops and the wild-eyed crooks. They sat in my apartment, they smiled smiles that never reached their eyes and licked their cracked lips as the whole caper played out before them in a succession of high-contrast, staccato images full of betrayal and depravity.
I sat in my faded leather chair and waited for trouble.
But that’s the thing about trouble, it strolls round the corner when you’re thinking about better days, never when you’re expecting it. The whole shebang past without a hitch, they even seemed to enjoy themselves the shmoes.
I got out alive. I made it.
And now as I look at the future through the bottom of a dirty hi-ball I can feel its icy fingers enclose me.
I am a damned man and I’m playing with borrowed time. I’m going to do it again. Damn me.
I’m going to do it again.
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The Road Review
Feb 5th
Film and literature are very different media. Even the laziest of observers will confirm that yes, books tend to be small, oblong and papery whereas cinemas are larger, less portable and serve popcorn. But those are just the surface differences, each art form has its own strengths and weaknesses, especially when it comes to the messy enterprise of story telling.
Books, in direct contrast to their compact size, can tell sprawling stories of emotional depth and complexity. Films require a certain economy of narrative but handle the grand sweep of action and spectacle with natural aplomb. Arguably, books unlock the reader’s imagination, challenging them to fill in the details of a fictional world, while cinema is more prescriptive, locking down those infinite possibilities to a consistent, artistic vision. Neither is the ultimate expression, each merely offers a different aperture to view the story.
And so we turn to John Hillcoat’s The Road, a grim, intimate and mostly successful attempt to bring Cormac McCarthy’s novel to the screen, or as script writer Joe Penhall puts it, ‘transmute the state from ice to water, or water to gas’ while leaving the audience in no doubt it’s the same base element. Penhall asserts that the novel is ‘delivered directly to the blood stream’ and the film attempts the same trick. It can’t rely on McCarthy’s stripped down, bleakly evocative prose but it can offer breathtaking vistas of rotting cityscapes and a dying world, broken and bowed by an unspecified apocalypse.
Viggo Mortesson’s perfectly calibrated performance draws us into this world, wielding sparse, fractured dialogue to devastating effect. Life on the road is sketched out in visceral detail in a series of scenes that unfold as slowly and deliberately as a storm front. By playing to the medium’s strengths in this way, concentrating on visual storytelling and well paced narrative beats, the celluloid Road captures the essence of its literary cousin and delivers a wounding yet strangely uplifting cinematic experience.
The Ood Cast: Episood Three – Planet of the Dead
Feb 1st
It’s episode three of The Ood Cast and this week we’re talking about the first installment in the ‘He will knock 4 times’ saga that ends the Tenth Doctor’s life – the aptly named Planet of the Dead.
Flies in boiler suits, dodgy CGI, a wrecked double decker bus, Lara Croft and fires of iniquity all feature in our rambling review of the story. Allies are made, old enemies revealed and friendships tested – and that’s just during the podcast. The story itself is even more exciting.
Join us as we discuss cinematography, production logistics, morality, travel cards and Laura’s huge crush on David Tennant.
Next week: The Waters of Mars and one almighty bust up that threatens to destroy the Ood Cast.
Forever.
Podcast: Play in new window | Download (Duration: 29:43 — 27.3MB)
The Idiot Register: Smugness
Jan 28th
Once again, The Stairwell welcomes Mr Hunt as he rails against something inconsequential to such a degree he loses his perspective completely and thus fails to elicit any sympathy from his readers.
SMUG: The attitude of idiocy
Like my smiling dullard of a blogmate, I use a Mac. I’m not going to go on about it, I just like them better. They work for me. Other operating systems are available but they usually make me want to rip the monitor from the desk and use it as a makeshift weapon to obliterate the whirring, beige desktop box that houses the spawn of Satan OS coding.
Sidebar: this has become a lot easier since the introduction of LCD screens that can be wielded one-handed.
But I digress. As I said, Mac OS is my weapon of choice but that doesn’t stop me hating the “I’m a Mac, I’m a PC” ads with the heat of a thousand dying suns. They are just so smug. They aim for humour and instead land slap bang in the middle of toe-curling embarrassment and stomach-churning, eye-bleeding awfulness.
Here is one now:
I just inadvertently watched it again during the process of uploading it and something awful happened. I was so incensed by Apple’s air of smug superiority I grabbed the nearest thing I could lay my hands on and threw it out the window. Now I don’t have a cat anymore.
Thanks, Apple. Way to go you dead-eyed, bland-vomiting cat killers.
The flip side of all this is that in some ways I actually thought my allergic reaction to the overwhelming smug-storm Apple sent cascading unbidden into my eyes and ears was a positive sign. It showed that despite my exclusive devotion to their technology, I wasn’t a fan boy. I still had the capacity to bring my critical functions to bear on something that was unequivocally crap, however many shiny apple logos they slapped all over it. I didn’t like the ‘Mighty Mouse’ either. I was still a long way from becoming the sort of emaciated, drooling hipster that wears their Apple affiliation like some sort of brushed-aluminium badge of creativity.
I was safe.
And then Microsoft went and launched the Windows 7 campaign and in doing so set a new bar for smug, self-satisfied, condescending marketing effluent. Well done, Team Gates, you just blew away my only handhold, literally my last hope of remaining non-partisan. I hope you’re proud of yourself.
Microsoft, you see, thought it would be a good idea for people to hold Windows 7 Launch Parties – where run-of-the-mill people like you and me could get together with friends and teach each other to laboriously burn a DVD of people snowboarding or whatever. Doesn’t that sound like fun – marketing a product you hate, foisting it on your love ones and not even getting paid for the privilege?
The most laughable part of this whole mess is that Microsoft genuinely thought people would do this. Faced with millions of Mac evangelists they clearly thought people would want to do the same for them. Shout the seventh coming of Windows from the rooftops. They seemingly failed to grasp the self-evident difference that people CHOOSE to use a Mac. Windows is just the car crash of an OS we all got landed with by default. No one wants to bring up Windows around the water cooler, it’d be like cheerfully striking up a conversation about taxes or STDs or global poverty, they’re just a distasteful part of life that have been around so long people have forgotten it could be any other way.
Anyway, in order to get people to organise these deluded, creepy Windows 7 launch shindigs, Microsoft put together a video that they no doubt dubbed ‘edutainment’.
(excuse me, my dictionary just haemorrhaged blood onto the carpet, I just need to clean it up)
…
Where was I? Right, the video. Realising that no human being would ever want to be part of such a travesty, Microsoft built and programmed a group of androids to star in the advert. The droids would appear humanoid and physically signify the different demographics Microsoft hoped to appeal to – old, geeky, irritating and black respectively. These demographics would each wear a stupid colour-coded uniform as if they were in Star Trek or something. Unfortunately the finished robots were given a variant of the Windows operating system and subsequently failed to be able to act, speak, produce a realistic air of camaraderie or generally pass for human beings by whatever metric you cared to apply.
The result was not only the worst advert in the history of advertising but also quite possibly the poorest example of work produce by any human being in any discipline, ever. It is the nadir of modern civilisation, making a complete mockery of the noble journey begun by Neolithic man when he first scratched an ethnically diverse herd of buffalo onto the rocky wall of his cave. Beating by some margin even the moronic delight’s of R. Kelly’s “Trapped in the Closet”.
What we have here, people, is a piece of work so smug, so sickening, so utterly blind to its own ridiculousness – that it defies any attempt to truly describe it.
Like the Matrix, you have to see it.
And see it you must.
How far did you get through it before your soul withered to a dry husk within your chest and you dropped to the floor, leaking black tar from every orifice?
I only got as far as the bit where they suggest making the party list using ‘party planning tools’.
Utterly devoid of merit thought it is, the video is at least controllable. Avoid typing ‘talentless idiot party’ into Google and you’re basically going to escape unscathed.
So Microsoft busted out the poster campaign.
Now I can’t go down into the underground without being faced with a virtual tableau of Smugotrons claiming they had something to do with making Windows 7.
And why are they so keen to claim that anyway? It’s not like it’s the cure for cancer or anything, is it? Even if they did come up with the shaking-to-clear-the-other-windows thing (which they didn’t) I can’t even begin to describe how little I care.
Look at him. Look at his smug little face. I want to hurt him so bad. I want to stuff that chip up his nose and into the sinus cavities beyond. Then I want to slam his face against the wooden table top until he chokes to death on blood engorged potato mush.
Is that an over-reaction?
Every day I have to endure a whole tunnel of these images on the underground, trapped on a travelator that Microsoft have probably programmed to run at half speed to prolong the encounter. I’m genuinely surprised that instances of grievous bodily harm haven’t shot up ten fold on the Jubilee line. Personally, it takes everything I’ve got not to beat at the giant images with my fists until my knuckles are cracked and torn from the impact.
Okay, that’s it. I can’t see anymore. I think I must have finally reached blind fury.
I’m going to go and find my cat.







